I considered all kinds of news stories I could post about this morning, but to be honest I’m still preoccupied with the Broadway debut of “
A Tale of Two Cities.” (Did I mention that I saw it last week, found it flawed, but developed a crush on the lead actor, James Barbour? Thought so.)

Reviews came in last night, opening night, and are pretty much unanimous that the show is mediocre, at best. I agree with many of their observations (it
is too Les Miz-esque, many of the lyrics
are terrible, and the characters
do tend toward the one-dimensional) but for all that, I enjoyed this show immensely—and, obviously, can’t stop thinking about it. I’m hoping to finagle tickets to see it again.
I know 93% of this blog’s readers are not terrifically interested in this topic, but I’m disregarding that. It’s my blog. :) So I sifted through the heaps of negative (and sometimes downright mean-spirited) comments in the reviews, to show you that I’m not crazy: James Barbour was fantastic in this production. Nearly all the reviews pointed him out as the only shining star amid the murk.
(Cick on publication names for full reviews.)“Barbour delivers a bravura star-making turn, infusing his Carton with a sleepy, sardonic charm that clearly will win over audiences.” –
Reuters

“Actually, this Carton—a sensational James Barbour—didn’t put a foot wrong all evening…. The show belonged to Barbour’s sonorous-voiced Carton, one of literature’s first anti-heroes. He sang and acted wonderfully, with a kind of hangdog panache that was both ironic and, on the right occasion, very moving.”—
New York Post “A magnetic performance as Sydney Carton. … Warren Carlyle’s fast-paced direction creates an illusion of meaningful onstage activity that is heightened by the presence of Mr. Barbour, a good actor with a magnificent baritone voice who carries himself as though he were starring in a billion-dollar production of ‘Hamlet.’ If the rest of this show were as strong as his singing, it’d run for a decade.” —
Wall Street Journal
“So, is there anything to praise in this misfire? The cast. Rarely have so many glorious voices been brought together for something so commonplace. Barbour has a bass-baritone he can drop to resonant depths and then modulate into airy diminuendos.”—
TheaterMania
“The most noteworthy performances find themselves battling against the reductive conception of their roles. This Sydney Carton is more of an endearing sot than the wastrel 'incapable of all the higher and better flights of men' that Dickens so memorably described, but Mr. Barbour’s robust baritone and flashes of self-loathing go a long way toward masking this.”—
New York Sun “The show’s best asset is James Barbour, a charismatic actor with a booming baritone that rocks the rafters.”—
NY1“The paucity of strong songs puts an extra burden on the actors, but they ably meet the challenge. Chief among these performers is James Barbour, who portrays the dissolute Sidney Carton, the show’s late-blooming hero. Barbour has one of those industrial-strength voices, perfectly suited for the kind of full-voiced pyrotechnics that are necessary for larger-than-life shows. Barbour also possesses considerable stage presence, and he nicely accentuates his character’s self-mockery.”—
International Herald Tribune “Barbour is the best asset of this otherwise awful musical. …As Sydney Carton, the drunk, dissolute lawyer who sacrifices his head on the guillotine, Barbour displays matinee idol showmanship and a genuine flair for old-fashioned melodrama. Even if it is not a deep or complex performance, the dark and mysterious presence that he projects is truly winning.”—
amNY
“Barbour has a silky, sulky reptilian charisma and a voice that, for all the monotony of the crooning style, has remarkable range and color.”—
Newsday “Mr. Barbour, who played Mr. Rochester in the Broadway musical of “Jane Eyre,” is giving the kind of high-camp, hair-tossing performance New York hasn’t seen from a leading man since Robert Cuccioli lashed the air with his ponytail in 'Jekyll & Hyde.' With a voice that combines the boom of thunder with the breathlessness of Marilyn Monroe and a leaning posture that appears to be in eternal search of a lamppost, Mr. Barbour invests every minute he’s onstage with heavy-lidded, overripe languor. Some might call his performance
de trop (well, in Paris they might). But hey, at least he shows signs of life, something otherwise perversely lacking in this tale of historic turmoil.”—
New York TimesAnd lastly, from the city that staged the trial run of this show last year, the sentiment I most agree with:“‘Tale’ is the kind of show that audiences may enjoy far more than critics, who were generally downbeat about the show.”—
Sarasota Herald Tribune
James Barbour with costar Brandi Burkhardt after opening night last night.